"Why, those beautiful things." Fleda turned away. "Thank you."!

"Thank God, no!" Fleda felt herself flush slightly, but she tried to smile. "Did you tell her all about it? Did you make her understand you want me?"

"You'll last quite as long—" Here Fleda suddenly hesitated. She was in a fever of ingenuity and painfully conscious, on behalf of her success, that her fever was visible. She could herself see the reflection of it glitter in Mrs. Gereth's sombre eyes. Fleda was struck, was even a little startled with the way Mrs. Gereth had turned this over—had faced, if indeed only to recognize its futility, the notion of a battle with her only son. These words led her to make an inquiry which she had not thought it discreet to make before; she brought out the idea of the possibility, after all, of her friend's continuing to live at Poynton. Would they really wish to proceed to extremities? Was no good-humored, graceful compromise to be imagined or brought about? Couldn't the same roof cover them? Was it so very inconceivable that a married son should, for the rest of her days, share with so charming a mother the home she had devoted more than a score of years to making beautiful for him? Mrs. Gereth hailed this question with a wan, compassionate smile; she replied that a common household, in such a case, was exactly so inconceivable that Fleda had only to glance over the fair face of the English land to see how few people had ever conceived it. It was always thought a wonder, a "mistake," a piece of overstrained sentiment; and she confessed that she was as little capable of a flight of that sort as Owen himself. Even if they both had been capable, they would still have Mona's hatred to reckon with. Fleda's breath was sometimes taken away by the great bounds and elisions which, on Mrs. Gereth's lips, the course of discussion could take. This was the first she had heard of Mona's hatred, though she certainly had not needed Mrs. Gereth to tell her that in close quarters that young lady would prove secretly mulish. Later Fleda perceived indeed that perhaps almost any girl would hate a person who should be so markedly averse to having anything to do with her. Before this, however, in conversation with her young friend, Mrs. Gereth furnished a more vivid motive for her despair by asking how she could possibly be expected to sit there with the new proprietors and accept—or call it, for a day, endure—the horrors they would perpetrate in the house. Fleda reasoned that they wouldn't after all smash things nor burn them up; and Mrs. Gereth admitted when pushed that she didn't quite suppose they would. What she meant was that they would neglect them, ignore them, leave them to clumsy servants (there wasn't an object of them all but should be handled with perfect love), and in many cases probably wish to replace them by pieces answerable to some vulgar modern notion of the convenient. Above all, she saw in advance, with dilated eyes, the abominations they would inevitably mix up with them—the maddening relics of Waterbath, the little brackets and pink vases, the sweepings of bazaars, the family photographs and illuminated texts, the "household art" and household piety of Mona's hideous home. Wasn't it enough simply to contend that Mona would approach Poynton in the spirit of a Brigstock, and that in the spirit of a Brigstock she would deal with her acquisition? Did Fleda really see her, Mrs. Gereth demanded, spending the remainder of her days with such a creature's elbow in her eye?